The First Lamp - Gazing at the River in a Dream: The Jinjiang River has flowed for thousands of years. Lamp-bearers from afar, please temporarily set aside the hustle and bustle, and follow the gentle breeze along the riverbank to step into the cracks of time, to light the lamps together, and illuminate a Tang Dynasty dream belonging to Xue Tao.

The Second Lamp - Listening to the Bamboo in the Wind: The bamboo at Wangjiang Tower is a three-dimensional poem, the embodiment of Xue Tao's noble character. Thousands of slender bamboos reflect their images on the riverbank, and when the wind blows, they rustle softly, like a whisper in one's ear.

The Third Lamp - The Peacock of the Tang Dynasty: Long ago, the Nanzhao Kingdom presented a peacock to Wei Gao, the military governor of Jiannan Xichuan. Wei Gao, appreciating Xue Tao's talent, entrusted this divine bird to her care. From then on, before the bamboo shadows and screen, the peacock and the talented woman were companions, one spreading its feathers, the other unfolding her letter, together creating the unparalleled elegance of the "Peacock of the Tang Dynasty".

The Fourth Lamp - First Encounter with the Wutong Tree: When Xue Tao was eight years old, her father tested her with the poem, "An ancient wutong tree stands in the courtyard, its trunk soaring into the clouds." She responded with the couplet, "Its branches welcome birds from the north and south, its leaves send off the passing winds." This couplet was not only skillfully crafted but also seemed to be a prophecy, foreshadowing her legendary life of welcoming and sending off guests, and her far-reaching poetic fame.

The Fifth Lamp - Spring View Again: Xue Tao, with her "talented beauty," was unparalleled in Sichuan. Poets Yuan Zhen, Bai Juyi, and Wang Jiandeng were all her guests, and their exchanges of poems and essays were filled with the beauty of the Jinjiang River and the sentiments of close friends.

The Sixth Lamp - Paper Making in Miniature: Living by the Huanhua Stream, Xue Tao ingeniously crafted paper. She used stream water and flower juice to dye small, peach-pink stationery, then carved elegant patterns onto it. This small piece of "Xue Tao paper" thus became a poet's exclusive realm for expressing her feelings, and a bright spot in the history of Chinese handicrafts.

The Seventh Lamp - Flower-adorned Banquet: The night air is filled with the shadows of loquat blossoms, a time for both sorrowful partings and joyous celebrations. On this night, red letters convey heartfelt sentiments, and fine wine overflows with blessings. A flower-adorned banquet showcases the splendor of the Tang Dynasty.

A thousand years have passed in the blink of an eye. Tonight, those of us who understand her poems and cherish her spirit are no longer just spectators. From this moment on, everyone is a lamplighter at Wangjiang Tower, jointly guarding the literary heart and poetic soul that have flowed for a thousand years.